détaché

in a small private courtyard in the Marais, a pair of heavy scrolled ornaments lay casually on an ancient well-used work-bench awaiting their fate...
I walked around the hôtel particulier to find their rightful placement in the exterior design scheme and realized that they may be discards, removed forever from their original decorative purpose and now considered as more superfluous artifacts of another century...

schéma vers

stumbling into a courtyard on the rue du Bac, I find the building's floor plan dated 17 avril, 1963 by the Prefet du Police, with a list of hieroglyphic symbols below...
if something goes awry and SECURITEX has to be contacted, the very out-dated telephone number posted with it will not be of much use!
[but good to know that things stay in place for as long as they do here, and that with age, they can even attain a collectible status!]

projet ooks

we read this exasperated question posted on the wall inside this space where many brilliant and original ooks are offered for sale...
"pourquoi fatiguer ton esprit d'éternels projets qui te dépassent?"
and happily skipped off down the street, relieved to put off another scintillating ooky project indefinitely...

[Librairie Florence Loewy, 9, rue de Thorigny]

gibus off

the music has drifted and tidal-waved out from under this phallic top-hat for decades now... the crowning of so many musicians who left their soul-baring jetsam in Pa-reee...
do the blue/red, green/blue square lights still flash for the fallacious flotsam or just for the anointed ones dancing on the current?

[18, rue du Faubourg du Temple]

light industry

an underwater quality permeates this brooding environment of steadfast functional concern...
the industrial peasant has to swim hard against the indifferent tide to be hauled out of such sublimely forlorn but now leaking aquariums...

[floated into somewhere along the Rue du Faubourg du Temple]

tagless*

finally, the commercialization of graffiti to advertise for a truck rental company... the unexpected sanctioning of the long-"established" and prolific Miss Tic's work takes the bite out of her more subversive defacement noted for their arresting images of scantily clad and wantonly posed femmes paired up with short provocative phrases playing on words and double meanings... [er, find-her keep-her??]

[*a subcultural footnote on the heel of Adam's "challenging" post on "No Tag"!]

ma bête favorite

my secret lion is perched high, shaded and half-hidden amidst a bountiful feast of ripened fruits...
he is sated and watches me lazily as I cross over to the riverbank...
as I venture to the other side across the Pont de Sully...
he was once so blackened that I never noticed him, but when they finally cleaned off the Hôtel de Fieubet, he appeared like a royal vision...
ever le roi de la jungle...

[Hôtel de Fieubet/Ecole Massillon...2, quai des Célestines...dates from the 16th century...acquired by Gaspard de Fieubet in 1676 (he was a chancellor of Queen Marie-Thérèse)...madly decorated by the Comte de la Valette after he bought it in 1858 (he published the Journal de l'Assemblée Nationale)...and subsequently occupied by l'école Massillon in 1877 to the present]

l'ami de Alexandre

a pet sanglier wandering happily around a sumptuous hôtel particulier in the Marais...
ahhh...to be a wild boar in a splendidly eccentric home in Paris is never a boring thing!

re-tabulation

the most immutable and durable of signboards - inscribed in marble, framed in stone - can still succumb to the ravages of age and weather... and yet, this fading but solid evidence of a once flourishing enterprise remains in place as a memorial tablet, a relique to the thousands of objets once fabricated here for the deserving populace...

revelation

the whimsical energy of lives lived within escapes in abstract squiggles from the revamping of a centuries old edifice...
uncovering the upper portion of an ancient faded sign, if only one can decipher its mysterious provenance...

le timide telamone

hiding from the myriad tools of industry, the distracted telamone turns his muscular back to a honest day's work... preferring to hold up his load of ponderous reveries instead...

l'embonpoint

corpulent flesh immortalized in bronze...
voluminous words preserved in print...
the sculptor's hands tire from molding so much corporality while the writer's mind fades out from terminal exhaustion...

[more wordy essay on the museum where this rotund piece resides on Parigigi's site under the "musées" category]

la garantie

as if...

french bleeng

serious bling for the one who wants to lead the most:::
...the emphatic emperor with a nudity clause
...the enlightened suzereine who prescribes junk food for the masses
...the delirious president infected with a napoleon complex
...the bulimic autocrat whose gilded plunder purges corporate dross

[bling by J.C. de Castelbajac displayed at the Musée Galliera, Paris]

anti-romeo

not a welcoming situation for any aspiring romeo, or even a few tired birds... the medieval elements striate this façade in rough-hewn solidity, determined to deter and repel all interlopers...

la vache sauvage

it's quite disconcerting to think that so much is extorted from this poor shy animal for another species' greedy consumption...
squeezed dry for its milk, cut up for its meat, skin stripped and tanned for leather goods... they were clever to pretend to be mad for a while [although that got some executed, too]!

l'étoile mineure

the minor star formed simply by only a few perforated dots...pas pour MOI, mais peut-etre pour la boutique MODE quelque chose... now long closed for business?

l'étoile majeure

what major creative force it must have taken to forge this portal gate into existence...multi-starbolts to speed Mercury on his way...

photo-cine

such an odd retro reminder of a world of imagery that has now accelerated to beyond the wildest imagination...
if only the scope of my visual intake can keep up!
[note to self: limit viewing of interesting blogs!]

deco-rum

the "epitomb" of art deco elegance strains against the messiness of the living above and all around...
even high upon this little hill, Ruhlmann must rue the day they planted him here!
[I jest...this compact and half-hidden Cimetière de Passy is a repository of some haute privileged remains indeed]