l'aigle catalan

crowned l'aliga barcelona, this gegant dances to a solemn chant...
on a wintry sunday morning he appears in the plaça sant jaume...
with his noble wings unfurled, he glides through the flocks gathered
where the flightless aristocracy hides behind drab and tattered feathers...

les faucons-prisonniers

they peregrinate no more, these regal birds of prey...
encased in a glass cage, their feathered forms are unruffled...
their sharp eyes unseeing, yet their heads are held high...
while tiny hearts still beat in flight over some dusty skies...

chauve-souris-femme

darkly over the Ile-Saint-Louis flits a winged creature of the night...
by day she folds up her black cloak and retreats behind heavy doors...
the late tolling from the belfries of Notre Dame soon put her to flight...
swooping low along the river in search of love and other bites...

AERO

partial reveal...obvious reverse...interior mysterious...

specific nomenclature...remnant onomatopoeia...rearranged alphabetics...

AEROspheric EROtomania ROdomontade Or not...

ORFE

stain my walls with your pigmented disgorfement,
squirt and dribble your colourful orfeburst
all over my hard-edged sand-boxed  sprawl...
some will get it cleaned right off,
but some will always get orfe on it...

[HORFE bombs french and british capitals in loud and blinding erorfetions]

BAR

BAR none but for one or two...

no holds BARred but do hold on a while...

please do not disBAR but just go behind them...

that BAR is sinister but only for those bastards...

and the BARtender is really not so tender after all...

SL

the most Royal of Monograms carved into solid Wood

on a Colossal Door that has defeated all Weather...

the Fallen Best have glided by horizontally -

for the Saint of all Louis to clasp in Perpetuity,

as tightly as the S-hroud wrapped around the L-amented...

[sliding reverently past the doors of Saint Louis des Invalides]
 

BG

a spray of roses pierced the iron door,

inherent and finite;

the curly initials stained by the rain...

a life annulled, her soul congealed -

remnants of hair, teeth, bones

sealed in the cold stone closet...

while dust storms gather elsewhere... 

[mysterious nonentities at the Cimetière du Père Lachaise] 

l'oeil-de-boeuf-gras

il a le compas dans  l'oeil... mais cela n'est pas de sa compétence...

[turning away from the exquisite trappings of the Musée des Arts Décoratifs]

champchambre

 c'est là qu'il est dans son élément... il veut faire un chassé-croisé...

[the interior pursuit of a solitary nature at the Musée de la Chasse et de la Nature]

 

prophypousses

 la hauteur de ses conceptions... être logé aux quartre vents...

[spouting soft phallic-sprouts on the lawn of the Palais Royal]

noblessaqueuse

les gueules de lion rugissent le sang royal...il fait rubis sur l'ongle...

[dampened by the font of diluted aristocracy at the Place des Vosges]

multiplexapiary

babeelonienne ruche d'abeilles... paroles mielleuses s'envolent...

[the most coddled bees live in the Jardin du Luxembourg producing much coveted honey for the connoisseur few...]

vestibule-vaporeux

the ghosts of the risible staircase float in the drolling haze...

rising above the impudence and converting the scintillations

to daze and obfuscate...

[steaming in obscurum on the Rue du Bac, Paris 75007]

niveau-lueur-nébuleux

a flattened moon hovers over the dry industrial artland...

a maleficent eye unwinking, unthinking, purely jinxing luminance...

upon...

"angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night..." *

[*line from "HOWL" by Allen GINSBERG, 1926-1997] 

[unspinning lunadisc in the Palais de Tokyo, 13, avenue du Président Wilson, 75016 Paris]

entours-trône-estompé

a baconesque pop-pope perches on the punk-pink throne...

what fetish entozoon soon emerges to empyrean calculations,

to slither under the silky chasubles of phlegmatic apparitions...

[alone with Napoleon's tiny chemise de nuit in the Musée Galliera, 10, Avenue Pierre 1er de Serbie, 75016 Paris]

béate-boîte-brumeuse

Safe in its Glazed Chamber-

Untouched by Mourning-

And untouched by the Moon-

Lies the meek relic of the Insurrection-

Pillow of Satin - and Roof of Stone!*

the Shadow darkly unmoved,
hangs upon its golden Spot;

the Blessed Blood steeps 
in slowly relinquished layers...
curing to soft rapturous Rot!


[*a re-versing of the first stanza of "216", with apologies to Emily DICKINSON, 1830-1886]

[suspended in the Hôpital La Pitié-Salpêtrière, 75013 Paris]

frigos-flûtes-floues

dark dark flowed the freeze fluid...cold colder coldest no more...

art artful in frost free fridges...conducive conduit art-erial core...

[Les Frigos, 19, rue des Frigos, 75013 Paris]

la verte perpétuelle

 

pitted stones sweat blooming mossss...

sleek marble salted by crystal tearsss...

the buried bones split hairs lossss...

a speckled twig falls on your fearsss... 

"et vous qui dormez! autre granit et vieilles roses

qui passez et disparaissez dans un bain pur

sans faiblesse comme sans distance

hautes hautes terres étranger azur

pesez sur elle qui n'est plus

dans le temps ni sein ni spasmes ni larmes

qui s'est retournée sous la terre

vers l'autre plus cendreux soleil."*

[*verse from "La Femme et la Terre" by Pierre-Jean JOUVE, 1887-1976]

l'éminence verte

a jagged thread of sun stitches together furtive shadows below...

the voluminous gowns above enlace in a symmetrical row...

a light wind sways their regal skirts, and l'air varié intersperses... 

softly the courtyard of the palais royal, still undulating eminences...

l'implication verte

in the seafoam greenness of this fugitive corner...

in the darkened carapace of this mantled courtyard...

agile immortals are engaged in mythic play...

boldly implicit in the undercurrent of simulacre...

l'involucre vert

 a whirling man-boy...breaking out of his pod...shaded by notre dame...

paris is his husk...

"this plant would like to grow and yet be embryo; increase, and yet escape the doom of taking shape; be vaguely vast, and climb to the tip end of time with all of space to fill, like boundless Igdrasil that has the stars for fruit."*

[*3rd verse from "Seed Leaves" by Richard WILBUR, 1921-]

l'embrouillement vert

even in death, she is close...

married to his brother, but after his own heart...

painter to painter, talent on talent...

M pour M...

she brushes aside, then lightly upon...

her green eyes darkened in repose,

her white dress splayed,

a wilting camellia on a velvet web... 

[a summer's day at the intimate Cimetière de Passy]

l'endurcissement vert

a stone veil...
a verdigris frost...
a slotted regard...
a faraway heart...
quelque chose demeure un peu sur la montagne...*

[*line from "Beauté des femmes, leur faiblesse..."  by Paul VERLAINE, 1844-96]

 

la porte bleu

whenever I had entered into my private paris, it was through large blue portal doors - a blue of a hue almost too intense for this city of muted colours...

I would have preferred shiny lacquered black, softly reflective pearl gray, a dark rich green, that deep burgundy red or even plain polished wood to this bright voracious blue...

until one day when I came upon this slim and elegantly ornamented panel shied away in an impasse behind Rue Saint Antoine that glowed the same cobalt blue, I then realized how much vivacity has coloured my inner world here in this the most perspicacious town of them all...

l'ardeur rouge

somewhere in paris a shiny red camper van encapsulates the inflamed fervour of a neighbouring nation... the full flush victory of la furia roja charges in all directions - a bullish taunting toro for the enervated les bleus faibles...

[paris-madrid]

the spanish boys dance their nimble steps with the ball in the winds of the Cape of Good Hope...a bravura honed by centuries of natural prowess with a bull under the brilliant sun...
in Madrid we had been witness to the finesse and the flair manifest as instinctive as flurried fingers on a guitar, a goaded Goya with his brush, the lyrical vehemence of Garcia Lorca...all passion play as tarred and  bloodied as the darkest rose...

[paris-donostia]

a concerned or challenging portuguese query on a basque beach - tattooed on a silken skin of sand, the sea a silvery sheet flowing up the atlantic throatline to the darkening tête de france...

where ignominious anti-heroes have returned to choke in a cloud of noxious blue smoke...

[paris-pamplona]

el sol may also rise here, los toros may frolic ferociously on the streets, los peregrinos may avoid such excitable streets, but in Pamplona there are also dangerous stone balls carefully secured with steel bars to a solid wood casing in a hidden alleyway...

perhaps on their secret journey to Afrique du Sud for the fleet-footed spanish armada to conquer all!

[paris-zaragoza]

the cockroaches encroach in this dark alley, following a mythical sailor not far from the salty sea...

but Corto Maltes dances no  more - his mother's gypsy blood having curdled with his father's english gore - and we slash a fateline through Zaragoza before dawn to follow the Ebro to a lost continent of mute stones and secret roses...

eau d'europe

"...'tis some cold, black pool, where in the scented dusk..."* oozes an oily dirge...

"j'ai vu le soleil bas taché d'horreurs mystiques illuminant de longs figements violets...

...mêlant aux fleurs des yeux de panthères à peaux d'hommes!

j'ai vu fermenter les marais, énormes nasses où pourrit dans les joncs tout un Léviathan!
...eschouages hideux au fond des golfes bruns... 

moi qui trouais le ciel rougeoyant comme un mur qui porte, confiture exquise aux bons poètes, des lichens de soleil et des morves d'azur..."* 

"si je désire une eau d'Europe, c'est la flache noire et froide où vers le crépuscule embaumé un enfant accroupi, plein de tristesses, lâche un bateau frêle comme un papillon de mai."*

[*selected lines and verses from "Le Bateau Ivre" by Arthur RIMBAUD, 1854-91]

[alone in a small secret chamber in the Marais, softly scented by Eau d'Europe and the breath of two frenchmen...]

le coffre d'or

a gilded chest distends from that hallowed hall to primitivism on the silvered tongue-river seine...divination primeval in-viscus entombed within, while divining rod of iron inviscous pierces the primal skies above...

were all this gathering of indigenous vestiges an invocation to self-preservation or a mere ablation of vengeful velleities...

[Musée du Quai Branly by Jean NOUVEL, 2006]

mater-adora

behind a pane of textured glass she stands in pale wooden folds with her babe in arms gently shielded by a leafy branch... bathed by a watery light the carved hardness exudes a serene innocuity, a fixated imperturbability, the monocarpous mamaternal eternal...

la calotte d'or

to encase a favoured companion dog skull in golden formulation, to display as mnemonic ritualist object upon an antique desk, to revere tender the noblest animalistic spirit, to crown such meagre ancient bones in such propitiatory resplendence...

"...l'incertitude de mourir et le fer de l'amour dans la plaie d'un sourire...la plus lointaine étoile du plus humble des chiens..."*

[*selected lines from "Lanterne magique de Picasso" by  Jacques PREVERT]

[Musée de la Chasse et de la Nature]

sans-travail

in a more primitive pariscene, this small but hefty 2F saucer once dotted one of countless café tables... but it has been unemployed for a long while now - with the franc a lost currency, many cafés a faded memory, and paris-paradise a fouled foreign investment museumville...

[I have this petit plat in my possession now [found at a brocante], but no knowledge of what its home was like - if anyone out there knew of the establishment and the meaning of the word "NOUBLANCHE", please do let me know*...I will also be posting it on my parigigi antiques site to find a new home for it ]

*Thank you to Peter for letting me know that Rue de Paradis was a street of china and faience manufacturers, so the name and address of the stamp under the dish were for the maker.

sans-patrouille

only in my primitive parisphere does the alligatoress crawl up a wall trailing her numbered eggs...forever in search of  her lost home-swamp in le marais d'art...

[Centre National d'Art et de Culture Georges Pompidou]

sans-chambre

the pretty wallpaper square still clings onto an exposed interior wall after the building has been demolished...a nominal memory patch from someone's intimate life once lived in this missing room, now a revealed personal artifact, a meagre anthropic mural, an exiguous floriated fragment for all to view...

au ciel

soaring above the Cimetière de Belleville is a prominent pair of multi-legged water towers, installed like some colossal launching pads for shooting the myriad souls to the heavens... or as totemic-treillage tomb markers for twin-tympanic titans...

"Madame rêve d'artifices

des formes oblongues

et de totems qui la punissent...

d'un amour qui la flingue

d'une fusée qui l'épingle

au ciel

au ciel...

on est loin des amours de loin...

Madame rêve au ciel..."*

[*selected verses from "Madame rêve" by Alain BASHUNG, 1991 BARCLAY]

big-hornes

sometimes one walks by a shop window and just know that the display has been unchanged since 1962 or even 1957...this window caught my attention because I happen to have one of those hefty double-beak anvils [les bigornes] weighing down my house, and long retired from its original purpose but now serving as an occasional unwieldy door-stopper...

[that baby turtle really needs to be rescued from this rigidly arid and uninhabitable iron forest!]

rubber brand

bouncing [sorry...couldn't help myself!] down Rue des Tournelles [4e Arr.], I stretched to catch this almost faded away sign for these premises that once produced rubbery things... rebounding me back to the memory that my grandfather had owned a rubber plantation, making me a descendant of elasticity - which explains my constant street-rubbernecking and the blog-coagulation of all my visual feasting...

la petite lacune

an elegant door with gilded frames and a lovely sheen of pale patina - an aging door in a place of great pomp [I won't reveal where, but perhaps some can guess...] and yet, on one side of it there appears a chipped cavity, a gaping gash, a misaimed bullet hole?...

I am riveted by this detrital damage, this ambivalent affront to stately circumstance, a polemic pockmark that is conspicuously festering and inviting an investigative prod...

demi-chinois

 the integration of the chinese in a western culture usually lacks full traction...they remain insular and contained behind real and perceived screens - even if they dare to breed outside their race, the offspring is more often labeled half-chinese...

for those who don't read chinese, where are the french signs?

[Rue Etienne Dolet, 20e Arr.] 

adieu monsieur charles

sitting all alone on the cold hard floor, the dusty and tarnished Monsieur C had been glaring out of this closed up shop for years... I walked by him almost everyday when in Paris and always wished that I could take him home to join my very handsome Monsieur A...

sure enough he disappeared one day and I am missing a bronze ghost, a specter in metal who was once a living entity prominent enough to be immortalized, and now spirited away to a gracious home, or more congested storage, or on the road from brocante to brocante...

[Rue Charles V, 4e Arr.] 

banana livres

across from the quartet of glaringly obvious open glass books that is the sleekly contemporary Bibliothèque Nationale de France to the glory of a certain french president, there is a messy little storefront office with a wilting banana plant shoved against the grimy window...

a stunted unloved exotic with no hope of ever fruiting any bananas but still bearing witness to all those millions of books turning ever so slowly to mush in the unrelenting sunlight, books that nobody in this freely downloadable world has the time to leaf through their precious parched pages anymore...

PAiX!

rigid rows of little chimneys pots...

grimy patches of weathered cream walls...

forlorn traces of a demolished building...

haphazard wood braces against crumbling bricks...

squiggly green lines bloom on worn plaster...

a small heartfelt exhortation of PAiX! from on high...

visual word balm on raw structural wound from my primitive paris... 

à biseau

 a tiny keyhole into a brick wall - a misplaced escutcheon perhaps - and yet so daintily feathered and ornamented...

to fool naive and desperate birds that there may be a home for them beyond the pretty trimmings, or really just a whimsical installation as an overtly salacious supersedure...

bons chiens

I am pulling open my spring green door to Paris again...
plucky paris where my heart still roams like a pack of wild but well-fed pups...
[j'ai du chien encore!]

heart of glass

 a smashed window in a dark alley was hastily taped up with black ducttape...and yet someone took the time to form a heart-shaped outline...

when I look at my out of focus walk-by shot of this shattered window, the blurry image vibrates a strange and intriguing sense of artful tension - wholeheartedness out of destruction, a symbol of love out of a gesture of anger [or accident!], abstract painting out of non-creative intentions...

cara puerta

 

 something about a face on a door, the long knocker for a nose, the mail slot as slightly parted lips, and those strangely glowing hand-painted eyes looking back so quizzically...

I don't know who lurks behind this door-face, but I confronted it with a bright flash from my camera and it did not even blink...I could have banged on its nose or put my eyes to its mouth but it might have spat up a sharp retort...or worse, the whole face could have been flung open to reveal a much more animated and angry one!